A little over a week ago the OxNet-Ordered Universe 2019 Easter School brought the 2019 cohort of school students aged 16-17 (Lower Sixth Form, Year 12) from the North-East, to a 2-day residential experience at Durham University. Students from Southmoor Academy, St Anthony’s, St Robert of Newminster, and Park View Academy, came together at venues around Durham including Collingwood College, Palace Green Libary, Durham Castle (University College Durham), the Institute for Particle Physics Phenomenology, and the Institute for Computational Cosmology to think about the topic of ‘Light, Colour, and the Cosmos: Exploring Themes in Medieval and Modern Science’.
OxNet North East co-ordinator, Claire Ungley shared the following thoughts on the Easter School in her report below:
A second set of talks, and memories from the Napa Lighted Festival last month. Friday 18th January saw a first talk from multi-media sculptor Alexandra Carr, a frequent collaborator with the Ordered Universe, and Joshua Harvey (Psychology and Engineering Science, University of Oxford). In Beyond Colour Alexandra and Josh spoke on various Continue reading →
Tom McLeish was invited last week (November 1st) to hold a seminar on Grosseteste’s colour science with the University of York’s History of Art Department’s Stained Glass Studies Group. So here (right) is a stained-glass representation of the Bishop to start with.
Tom, an original member of the Ordered Universe project right from the very early days in Durham, has recently joined the University of York as its new Chair of Natural Philosophy. Although based in Physics, the role has time allocated to the
University’s long-standing Centre for Medieval Studies, as well, which is now a partner of the project. The Centre is accommodated in Kings Manor, the former abbot’s house of St. Mary’s Abbey (now ruined) close to the Minster, Museum, Library and Art Gallery in the centre of the city.
The natural starting point for the Kings Manor seminar was Grosseteste’s De colore, his treatise, probably from the mid 1220s that develops his natural philosophy of light into a theory of colour. Early in the Ordered Universe project’s life we had studies this jewel of a treatise, and found it to be structured in a highly mathematical way. It constitutes the first description of an abstract three-dimensional space for colour. These insights, together with a fresh edition and translation and interdisciplinary commentary, formed the first ‘pilot’ publication from the project, Dimensions of Colour, back in 2013. in only 400 Latin words, Grosseteste carefully identifies colour as the effect of light incorporated in a diaphanous medium, and describes three ‘axes’ along which colour can vary independently. Crucially, two of these depend on properties of light and one on the material within which the light dwells – its ‘purity’ or ‘impurity’. This is turn is related to the quantity of ‘earthiness’ (earth is the only non-translucent of the four Aristotelian elements). The final paragraph of the treatise contains an invitation to try out making colours with different lights and materials, and is one of the pieces of evidence pointing to Grossteste’s involvement in the very early stirrings of experimental tradition.
York stained glass scholar Sarah Brown, who led the scholarly work behind the recent 10-year restoration of York Minster’s Great East Window, was led to think about glass-making right away by this paragraph. Might Grosseteste have witnessed the manufacture of glass? If so this would not have been in England, but in northern France. Does a thread from light through colour and glass constitute another line of evidence that leads to a presence for him in France in the early 13th century?
The discussion also moved onto lenses and lens making in that era, of which no doubt there will be more news on this blog at a future date…
News of a workshop on colour vision taking place at Durham University this week, in the Department of Psychology organised by Rebecca Wedge-Roberts. The workshop will explore the subject with papers and discussion from Psychology, Anthropology, Continue reading →
For the 2017–18 academic year, the Ordered Universe Project has continued its partnership with OxNet, an outreach scheme superintended by Pembroke College, Oxford. So far this year, students from local schools have attended evening seminars taught by leading academics from Durham and Sunderland Universities, and now those students have been invited to spend two days at Durham University to get a taste of university life while continuing to explore some of the topics that are closest to the hearts and minds of the members of the Ordered Universe Project.
Last week, Thursday 23rd and Friday 24th November, Ordered Universe members were made very welcome at the Centre for Medieval and Early Modern Research, and the Department of History at Swansea University. Continue reading →
Pictures from the opening of Illuminating Colour, last Week Friday 20th October. Taken again by Rosie Reed Gold, and featuring the artists, other members of the Ordered Universe team, and all who came to see the show.
For those that haven’t yet managed to get to the National Glass Centre in Sunderland, we have here a guided tour to the exhibition by Cate Watkinson and Colin Rennie. Rosie Reed Gold took the photographs, adding another level of interpretation to the movement from 13th century Latin manuscripts, to editions and translations, to textual analysis (by Continue reading →
Last night saw the launch of Illuminating Colour, a new exhibition from Cate Watkinson and Colin Rennie at the National Glass Centre, University of Sunderland. The exhibition, as readers of this site will know, grew from a collaborative initiative with the Ordered Universe project, Through a Glass Darkly. The exhibition emerged from a series of meetings, collaborative readings, knowledge exchange sessions (learning about glass, living medieval manuscripts), glass-making, planning and exhibits within the Being Human Festival, all of which took place over the last 18 months. Students and staff from Durham, Sunderland and Oxford, as well as the international collaborators from Ordered Universe, have all taken part and contributed, Artists Alexandra Carr, Ross Ashton, Alan Fentiman and Rosie Reed Gold have also been involved from their different media expertise.
The centrepiece of the exhibition is Cate and Colin’s work. Taking Grosseteste’s treatises On Colour and On the Rainbow as the principal inspiration, alongside his thinking on light and other meteorological phenomena, the works have come together over the last year. It has been an enormous privilege to watch this happen, and, at some level, to have been involved. The imagination, craft, skill depth of experience and curiosity to experiment are both mind-blowing and inspiring. The exhibition dwells profoundly on Grosseteste’s statement that ‘Light is colour embodied in a transparent medium’. The end of that treatise, On Colour, invokes the fact that those who are especially skilled can manipulate the medium to make whatever colour they like. This description is applied justly to Cate and Colin, and the pieces they have created.
Illuminating Colour finishes on 11th March 2018, so there is plenty of time to come and visit, and what a reason (if any were needed), to come to the North-East. This is also only the beginning of the collaboration, so stay tuned for further cross-disciplinary exploration of the universe in which we live and how we explain and perceive it. The exhibition is supported by the University of Sunderland, the National Glass Centre, the Arts and Humanities Research Council, Durham University and the Ordered Universe project. For those that couldn’t be there last night – some images and a periscope tour of the exhibits – but do come and see the real things!