OxNet North-East – sound as a bell

The OxNet-Ordered Universe 2019 seminar programme is hitting its stride with the 2019 cohort of school students aged 16-17 (Lower Sixth Form, Year 12) from the North-East. Students from Southmoor Academy, St Anthony’s, St Robert of Newminster, and Park View Academy, Continue reading

OxNet North-East – up and away

The OxNet-Ordered Universe 2019 programme for a new cohort of school students aged 16-17 (Lower Sixth Form, Year 12) from the North-East is underway. Students from Southmoor Academy, St Anthony’s, St Robert of Newminster, and Park View Academy, Continue reading

Napa Lighted Art Festival – Glass, Pyrography and more

The Ordered Universe symposium series at the Napa Lighted Art Festival, two weeks ago today, began with two sessions, one from Cate Watkinson (University of Sunderland and Watkinson Glass Associates) and Giles Gasper (Durham University). Speaking on Glass Continue reading

Berkeley Talk – Sound and Perception

Ordered Universe team members Giles Gasper and Joshua Harvey delivered a talk at University of California, Berkeley, on Wednesday this week (16th Jan). Organised by Dr Henrike Lange of the Departments of Art History and Italian at Berkeley, the talk focused on Robert Grosseteste’s treatise On the Generation of Sounds. An excellent example of the way in which the project used interpretative tools from a wide range of disciplines to analyse the implications of this short but beguilingly complex treatise. Continue reading

Napa Lighted Art Festival Opens Tomorrow

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The nine-day Napa Lighted Art Festival 2019 begins tomorrow, Saturday 12th January. A full programme features, amongst many installations, Luke Jerram’s Museum of the Moon, Birgit Zander and Daniel Bandke’s Language of Love, and Czech artists Hyperbinary’s Triton Genus, as well as Christopher Schardt’s Constellation Light Scuplture. All of this and Horizon from Ross Ashton and Karnen Monid’s Projection Studio. Ross and Karen have been setting up this week – and Horizon promises to be an Continue reading

Horizon – from the Projection Studio

Guest blog-post about the Napa Lighted Art Festival from Karen Monid:

Ross and I are thrilled to be asked to return to the Napa Lighted Festival in the USA. Our first piece there, Line, shown in 2017, was a contemporary study in the combined effect of optical illusion, sound and motion with modern architecture. This year, the festival has generously offered us one of the most historic sites in Napa to show our new work, Horizon, a co-commission between the Ordered Universe project, the Light Up Poole Festival in the UK and the Napa Lighted Art Festival in the US.

The Ordered Universe project website has information about Horizon already here. As artists, it has been a wonderful experience to create a new work that is not only inspired by Robert Grosseteste’s works, but goes even further, using his own words as the central core of the piece. Horizon places his observations, experiences and interpretations of the earth and our place in it alongside those of the ecosystem studies of the Jet Propulsion Labaratory in NASA, whose work sits at the cutting edge of 21st century technology. Horizon reveals a surprising similarity of human aim behind scientific enquiry and searching, both then and now. It shows how interpretations have developed, as we have changed our viewing positions from that of being ‘on the earth’ to moving ‘off the earth’ and looking back at ourselves on this planet.

Something new I was keen to explore in the audio for the work, something that has never been done before with the Ordered Universe project, is to focus on the context of Grosseteste’s writings, to allow them to be presented to Horizons audience as the teaching materials we believe them to have been, spoken aloud to students, learning about their place on the earth and in the universe as a whole. It has been exciting to find creatively meaningful ways to do this in Horizon, working with Professor Giles Gasper, Dr Sigbjørn Sønnesyn, and students at Durham University, in particular. Moreover, that Horizon also shows that modern science continues in this same work today shows a direct lineage from thinkers such as Grosseteste into the modern world.

One if the most exciting aspects of the project for us is that we are being given the opportunity to present the piece in Napa on the Goodman Library. The Goodman Library is a beautiful piece of Napa architectural history. It has survived several earthquakes and has recently reopened after an intense restoration program to preserve and protect its unique features. Libraries are the repositories of knowledge and so it is particularly resonant to have developed the premiere of ‘Horizon’ for this particular building. We will be discussing Horizon and our work, at the free ‘Meet the Artist’ event in Napa on January 13th. Tickets are available here.

Finally, we would like to extend our grateful thanks for the support of our collaborators at the Jet Propulsion Laboratory at NASA, Dr Joshua Willis and Dr Joshua Fisher. Dr Willis is the principal investigator on the OMG (Oceans Melting Greenland) mission and Dr Fisher is Science Lead on the ECOSTRESS mission, one of several space-based data gathering missions that are collectively looking at earth ecosystem changes, in collaboration with other space agencies internationally. We are delighted that Dr Joshua Fisher will also be giving a talk at Napa Lighted as part of the program of talks on offer at the Festival. Tickets are available here.

Ordered Universe at Berkeley

ann the generation of sound

Ordered Universe team members Giles Gasper (History, Durham) and Joshua Harvey (Psychology and Engineering, Oxford) will be giving a talk, open to the public, at University of California, Berkeley, on January 16th. We’re delighted to have been invited by Dr Henrike Lange, Assistant Professor in the Departments of Art History and Italian, and will be talking about Ordered Universe work on Robert Grosseteste’s treatise On the Generation of Sounds. In particular Continue reading

Ordered Universe at Leeds International Medieval Congress, 2019

Ordered Universe will be taking part in the 2019 Leeds International Congress, the largest forum for sharing research on the Middle Ages in Europe. The project has a lot to offer on the special conference theme of ‘Materialities’  so we proposed four sessions and a roundtable, all of  which were accepted. The Ordered Universe activities will take place Continue reading

Ordered Universe in Napa – Brian Tanner

Maybe it was happy memories of touring Napa Valley wineries some years ago, but when I was offered the opportunity  of taking part in the Napa Lighted Art Festival this coming January, I had no hesitation in accepting. For the past 10 years, Durham (UK) has had a similar event, Lumière, so I am expecting a spectacular visual experience. The Ordered Universe team is participating in the associated public activities series and I relish the thought of sharing my experiences of light in all its forms with residents and visitors to Napa. Colin Rennie and I will present a session ‘Beyond the Visible’ where we will go on a journey from X-Ray Imaging via Radio Astronomy to glass Art, all inspired by the science of the electromagnetic spectrum and one great thinker in particular, the 13thcentury polymath, Robert Grosseteste. The creative fusion between medieval European theories, modern vision science and glass art unlocks artistic inspiration and experience, which always surprises me.  It is never what I expect from our artist collaborators.

We will also enjoy showing visitors how simple optics experiments and observations, that they can themselves do with minimal apparatus, have a deep-rooted history in the medieval and classical worlds. I look forward to evenings revelling in the pieces of light art to be projected on to buildings, objects and in spaces. And, of course, there is the wine.

Napa Sun

Color est lux incoporata perspicuo – Colour is light incorporated in a transparent medium

Grosseteste’s Dicta

We’re very pleased to announce that the Ordered Universe website is now hosting a downloadable PDF of the working transcript of Grosseteste’s Dicta prepared by Edwin J. Westermann and Joseph W. Goering. We’re extremely grateful to Professor Goering for making the transcript available in this way, and these fascinating texts open to a wider audience. The PDF is available under Resources-Dicta. We hope that this will be of service and use to all interested in the fields that the Dicta touch upon. The essential starting point for contextualising the Dicta is Professor Goering’s article: ‘Robert Grosseteste’s Dicta: The State of the Question’ in John Flood, James R. Ginther and Joseph W. Goering, eds., Robert Grosseteste and His Intellectual Milieu(Toronto: Pontifical Institute of Mediaeval Studies, 2013) pp. 64-86.

 In addition, thanks to the kind offices of Gordon Jackson, Bishop Grosseteste University, his English translation will also be made available on the website – the first two volumes are to be found under the same page-heading.