Over the last two days Giles had the privilege and pleasure to engage with a European Research Council funded project, Authority and Innovation in Early Franciscan Thought (c.1220-45). Led by Dr Lydia Schumacher, the project explores in particular the Summa Halensis, one of the earliest theological compendia from the first half of the thirteenth century, and distinguished by the ambition of its enterprise and the range and volume of its questions. Continue reading
One of the main challenges for all who study the highly variegated output produced by Robert Grosseteste over the course of his lifetime is how, if at all, his works within highly disparate disciplines may be harmonized into a coherent whole. This challenge was embodied in practice from April 3rd through 6th, when scholars from a wide range of disciplines descended on Pembroke College, Oxford, for the conference ‘Science, Imagination, and Wonder: Robert Grosseteste and his Legacy’. In order to make this an occasion for mutually fruitful exchange across – rather than merely within – the boundaries segmenting academia, Continue reading
With a day to go before the Ordered Universe conference on Science, Imagination and Wonder, we’re very much looking forward to the public lecture to be given by Professor Jim Al-Khalili, On the Shoulders of Giants: Optics before Newton, in the Weston Library, from 17.15 on Continue reading
Yesterday, February 9th, was the opening of the 6th Cambridge e-Luminate Festival. Members of the Ordered Universe team were delighted to be asked to give an afternoon of talks, demonstrations and interactive activities as part of the opening events. Seb Falk (Cambridge), Jack Cunningham (Bishop Grosseteste University), Josh Harvey (Oxford), Giles Gasper (Durham), and Alexandra Carr (Multi-Media Sculptor), Continue reading
More previews from the papers for the Ordered Universe conference April 3-6. We’re delighted with the response to the call for papers, and to be in partnership with the International Robert Grosseteste Society (Science, Imagination and Wonder will also include meeting for the society). Amongst the papers accepted we have a theme on interdisciplinarity, marshalled by our own Tom McLeish, a series of papers on Grosseteste’s models and antecedents, and his involvement with the English Franciscans.
- Tom McLeish (York) on ‘Beyond Interdisciplinarity to the Unity of Knowledge: Why we need both Medieval and Modern Minds’
- Nicola Polloni (Durham) on ‘Sources of Light: Remarks on the Grosseteste/Avicebron Connection’
- Michael Robson (St Edmund’s College, Cambridge) on ‘Robert Grosseteste and the Franciscan school at Oxford (1224-53)’
- Angelo Silvestri (Cardiff) on ‘Hugh of Avalon’s Ethical, Political, Artistic and Religious thoughts: a Robert Grosseteste Ante Litteram?’
We are pleased to reveal the conference poster, designed by Alexandra Carr (with an image of the medieval cosmos derived from a light-painting evening in County Durham in late September 2017). Please circulate…
2018 is set fair to be another busy year for the Ordered Universe team. In addition to submitting our first volume presenting the treatises On the Liberal Arts and On the Generation of Sounds, and the Middle English Seven Liberal Arts, to press, we have a wide range of other events organised. This is just a reminder of those coming up in the first quarter of the year.
The two exhibitions featuring work inspired by the project run over this period. Illuminating Colour, a major exhibition of new work from Cate Watkinson and Colin Rennie at the National Glass Centre, University of Sunderland, drawing on Grosseteste’s treatises On Colour and On the Rainbow runs until March 10th. This is a world-class exhibition – do come and see it in situ. And, if you find yourself in the North-East come along to the Dante Exhibition at Palace Green Library in Durham and see, amongst the other treasures, Alexandra Carr’s sculpture of the nested spheres of the medieval universe, and a film installation as well. Alexandra’s work was produced as part of her Leverhulme Trust funded Artistic Residency at Durham University and Ushaw College focusing on medieval and modern cosmology.
January sees the fifth symposium of the current series, at Pembroke College, University of Oxford. In addition the OxNet course at Southmoor Academy recruits and commences its 6 week seminar series, to be taught to schoolchildren from across the North-East at the National Glass Centre. This involves Richard Bower – on Cosmology, Brian Tanner – on Physics, Joshua Harvey – on Psychology, Nicola Polloni and Kasia Kosior – on Translation, Cate Watkinson and Colin Rennie – on Creativity, and Giles Gasper and Tim Farrant on History and Religion. All co-ordinated by Kasia Kosior and the wonderful OxNet team.
February features a number of different activities. Tom McLeish and Giles Gasper are speaking on 7th February, on the modern and medieval cosmos, as part of the Dante Lecture series organised by Durham University’s Institute of Medieval and Early Modern Studies (IMEMS). Friday 9th February will see the Ordered Universe at the Cambridge e-Luminate Festival of Light for the second year in a row. We’ll be running a series of talks and then show and tell activities over the afternoon and early evening in the Guildhall in Cambridge. And this alongside Ross Ashton and Karen Monid’s new sound and light show. Keeping up the pace, on the 13th February IMEMS is running a day-long workshop on the Scientific Study of Manuscripts, Brian Tanner and Giles Gasper will be talking on Ordered Universe experience of interpreting medieval thought using science and humanities methodologies and approaches. Finally, Jack Cunningham will deliver a lecture in the Ushaw College series in Durham on his discovery of an 18th century life of Grosseteste. ‘ ‘Saving Robert Grosseteste – Fr Philip Perry’s Lost Biography’ takes place on 22nd February, 18.00-19.15
We wrap up the OxNet seminar course in March, and put all focus on the Ordered Universe conference in April – more on that soon, and look forward to the Ordered Universe/OxNet Easter School in Durham – focused on medieval manuscripts, the British Society for the Philosophy of Science conference, and then into the early summer and our Montreal visit, the Kalamazoo International Medieval Congress….and we’re already half way through the year!
Tomorrow sees the fifth Ordered Universe symposium in the current series, as funded by the AHRC (and the twentieth in the all-time rankings) get underway. We’ll be focusing on three texts, all from the mid-years of Grosseteste’s scientific writing career: On the Six Differences, On Comets and On the Impressions of the Elements. All are beautiful, intricate and more complex than they look at first reading, and reveal Grosseteste marshalling more sources, working with greater familiarity with Aristotelian natural philosophy and his Arabic-language commentators. Dating from the second decade of the thirteenth century to the first half of the third, Grosseteste’s location at the time of composition is as uncertain, as the political and social turbulence of these years is assured. For what purpose and for whom the treatises were composed remains unclear, whether for teaching or for private reflection. The texts themselves however, are as precise and dauntingly specific as ever.
We are very happy indeed to be back in the elegant surroundings of Pembroke College, Oxford University, and huge thanks to Rebekah White, Clive Siviour, Josh Harvey and Nuala Darnell for organisation. Sarah Gilbert, the Ordered Universe administrator has been the lynchpin in this capacity as well. The programme is available here as PDF and in on Issuu below. Future symposia will be taking place in Montreal (McGill University), Dublin (Trinity College), Lincoln (Bishop Grosseteste University) and Durham, with workshops in between at the University of York. The collaborative reading remains the centre-piece of Ordered Universe activities: a nice reminder of how complex Grosseteste’s ideas were, how hard the process of elucidation is, and the meeting of minds, present and past. We’ll let you know the results and what we’re up to this year!
Hell, Heaven and Hope: A Journey through life and the afterlife with Dante is now open to the public in the Palace Green Galleries at Durham. The exhibition features a fabulous range of copies of Dante’s works, as well as contemporary artwork. Alexandra Carr’s Empyrean features as part of the section of Paradise. Completed as part of Alexandra’s Leverhulme Trust Artist in Residence programme, the sculpture represents the spheres of the medieval universe, drawing on Grosseteste and Dante: sculpting with light on the grandest scale in the creation of the universe. Continue reading