OxNet Access Summer School 2019

August 4th-9th 2019 sees the annual OxNet Access Summer School take place at Pembroke College, University of Oxford. Under the theme Horizons,  the scheme brings together all of the hub schools within the OxNet scheme, from London, the North-West, and the North-East, and the varied networks that they represent. These include the four strands that make up the summer school: the North-West Science Network, the Continue reading

July Catch-Up – Ordered Universe at the Leeds International Medieval Congress

It has been a busy summer season already for the Ordered Universe project. July began with the International Medieval Congress at Leeds. An annual gathering for medievalists, and one of the largest, busiest, and most dynamic in the field, the congress took as its 2019 theme ‘Materialities’. Which suited the project very well. A series of four sessions and a round-table were proposed and accepted – all on Tuesday 2nd July. Tom McLeish, Nicola Polloni, and Francesca Galli led off on Grosseteste and light, from considerations of his view on matter, to light and preaching manuals, and the treatises On Light and On the Six Differentiae. The second session featured Hannah Smithson and Giles Gasper on different aspects of sight and optics, covering the treatises On ColourOn the RainbowOn the Liberal Arts, On Lines and Angles and On the Nature of Places, as well as some of Grosseteste’s Dicta.

After lunch our third session involved Brian Tanner, Philipp Nothaft, and Anne Mathers on comets, Grosseteste’s Compotus, and weather prediction. The new edition of the Compotus is out and available from OUP, and other booksellers! Anne also has a new book on medieval meteorology out with CUP soon. The fourth and final session focused on Grosseteste and sound, with Joshua Harvey and Sigbjørn Sønnesyn, exploring the experimental and source critical aspects to On the Generation of Sounds.  So, we covered quite a lot of Grosseteste’s scientific corpus!

Our final presentation was a round-table, chaired by Tom McLeish, and involving representatives of the wide range of disciplines that compose the project: Laura Cleaver (Art History), Brian Tanner (Physics), Cate Watkinson (Glass Art), Clive Siviour (Engineering), and Giles Gasper (History). A wide-ranging discussion of the implications of inter- or multi-disciplinarity, the evolution of the project, outputs and experience, and the delight that we all share in learning more about each other’s work and insights, the past, and the world around us. Thank you very much to all of the participants, the audiences for talks and round-tables, and the IMC for selecting our proposals! More to come soon…

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Knowing and Speaking…

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News on the first volume of six from the Ordered Universe presenting the scientific works of Robert Grosseteste. The first volume is avialable for pre-order from both the Oxford University Press website and at Amazon (UK and others). The first volume has a shipping weight of 739 grams and is 640 pages in total, and features 19 co-authors (it is not an edited volume but a co-authored monograph, under the aegis of Ordered Continue reading

Ordered Universe at the Leeds IMC

OU Leeds 2019 Simple

As followers of the Ordered Universe will know the project will be represented in four sessions and a round-table at the International Medieval Congress in Leeds. All sessions take place on Tuesday 2nd July, and work around the conference theme of materiality. We move from the physics of light and dimensions of materiality, to theories of vision, Continue reading

Line of Duty: Reflections from Lincoln

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Lines, angles, and shapes in the roof of Lincoln Cathedral

Why is the natural world saturated with constant movement, and how do we make sense of this perpetual fluctuation of material things? What principles and methods are most suited to find order and coherence in this ever-changing world? From May 13th to 16th, the Ordered Universe gathered at Bishop Grosseteste University in Lincoln to read, analyse, and debate Robert Grosseteste’s answers to these questions in a series of texts. The scope of these texts ranges from the geometrical and optical principles of natural causality in the twinned treatises On Lines, Angles, and Shapes and On the Nature of Places, via the labyrinthine search for the unifying causal factor in bodily movement in On Bodily Movement and On Light, to the condensed metaphysics of On the Movement of Supercelestial Bodies. If the principles of heavenly movement remained obscure, the clear skies allowed the rays of the sun full freedom to give leafy Lincoln a summery sparkle. The staff and amenities at Bishop Grosseteste University were as welcoming as the weather, and provided ideal surroundings for activity and movement as well as for rest.

As always, our twofold task was to beat draft translations into shape and figure out what arguments the sometimes highly obscure Latin texts were meant to establish. We were fortunate to have in our midst scholars from a range of discipline corresponding to the breadth of Grosseteste’s interests and talents. BGU did not only contribute hospitality but also scholarship, in the form of Dr Jack Cunningham and his PhD students Ros Gammie and Adam Foxon at the theology department at BGU, and Dr Gioacchino Curiello, who is a British Academy Post-Doc at the same department. Gioacchino also brought some welcome variation into our work schedule through presenting his ongoing research on Grosseteste’s translations of and commentaries on the Pseudo-Dionysian corpus of texts, and how these can be linked to his pastoral care as Bishop of Lincoln.

V1frCU+MSD6TfHlrChh0Aw_thumb_c9e2The texts we worked on this time draw heavily on geometry and optics to explain natural phenomena and natural causation. Professors Tom McLeish from York and Brian Tanner from Durham produced extremely helpful diagrams of the reasoning implicit and explicit in the texts, and Oxford Vision Scientists Professor Hannah Smithson and Dr Rebekah White brought clarity and focus to our reading by refracting Grosseteste’s opaque words through the lenses of their expertise. Professor Clive Siviour and Joshua Harvey, also of Oxford, showed how useful their training in Engineering and, in Josh’s case, Experimental Psychology, is for elucidating medieval texts with precision.

2sreRYt1TJGWO41egFjr+Q_thumb_c9e8Professor Cecilia Panti (Rome, Tor Vergata) had produced wonderful new editions of On Lines, Angles, and Shapes and On the Nature of Places, and Dr Neil Lewis’s (Georgetown) translation of On the Movement of Supercelestial Bodies was based on Cecilia’s already published edition of that work. We also revisited Neil’s meticulous edition and translation of On Bodily Movement and On Light, which continues to fascinate and puzzle us. Since these texts draw heavily on other medieval works, we were delighted to welcome back Dr Nicola Polloni (Berlin) and Dr Seb Falk (HPS, Cambridge), who made essential contributions from their expertise, respectively, in medieval philosophy and medieval science. Dr Sarah Gilbert, who recently completed her PhD in History at Durham, had helped organise the workshop and added her valuable Latin skills to her administrative contributions. We were also joined by Karen Monid of The Projection Studio. Karen and Ross have used Grosseteste’s texts as inspiration for their wonderful projection shows, using the movement of light and of sound to make the most profoundly moving projection shows.  We are very much looking forward to seeing what this creative team will do next!

UTAYnaCbR5mSU014QdBASA_thumb_ca084lr5T4I6QoKpCSRUIb1RdQ_thumb_ca02Grosseteste assumed as axiomatic that a unitary effect must have a unitary cause and origin. The union of these disciplines in a unitary debate, while dependent on all participants, can be traced back to the unifying leadership of Professor Giles Gasper (Durham), who once again managed to make numerous disparate impulses and energies pull in the same direction. Giles also gave a public lecture, together with Sig Sønnesyn (Durham) and Cecilia Panti, with the title ‘Creation and the World Machine: 13th Century Science and Theology’. In this lecture, Giles framed Grosseteste’s life and work within the overarching theme of creation theology and natural science. Sig gave a case study of this from the perspective of the short treatise On the Six Differentiae, and Cecilia presented her recent edition of a text, quite possibly and plausibly authored by Grosseteste, on the importance of astronomical time-keeping for the art of medicine and healing.

One of the central lessons of Grosseteste’s geometrical account of natural causality is that while a single rectilinear influence from cause to effect can be effective, the effect is many times stronger when several such lines converge on the same point to concentrate their efforts. This workshop, converging on Grosseteste’s episcopal seat and final resting place, has reminded us how this is applicable, with the necessary modifications, to scholarship as well. By coming together to concentrate our efforts towards a shared goal, we were able to produce effects that none of us would have been capable of on our own. Grosseteste would not have been surprised at this, convinced as he was that nature is the best guide for art and academic pursuits.

Public Lecture in Lincoln

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Our next project symposium takes place in Lincoln, and we’re delighted to be back in the convivial surroundings of Bishop Grosseteste University, hosted by Jack Cunningham and the BGU Ordered Universe chapter. As part of the symposium, which features Grosseteste’s treatise On Lines and Angles, On the Nature of Places, alongside On the Supercelestial Motions and On Bodily Motion and Light, we have a public lecture on Grosseteste’s cosmology and its implications for understanding of the world. The three Continue reading

Light, Colour, and the Cosmos in the Medieval and Modern Worlds

Geocentric Universe
©The Projection Studio

A little over a week ago the OxNet-Ordered Universe 2019 Easter School brought the 2019 cohort of school students aged 16-17 (Lower Sixth Form, Year 12) from the North-East, to a 2-day residential experience at Durham University. Students from Southmoor Academy, St Anthony’s, St Robert of Newminster, and Park View Academy, came together at venues around Durham including Collingwood College, Palace Green Libary, Durham Castle (University College Durham), the Institute for Particle Physics Phenomenology, and the Institute for Computational Cosmology to think about the topic of ‘Light, Colour, and the Cosmos: Exploring Themes in Medieval and Modern Science’.

OxNet North East co-ordinator, Claire Ungley shared the following thoughts on the Easter School in her report below:

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OxNet North East: The History Of History

The OxNet-Ordered Universe 2019 seminar programme concluded earlier this week with the 2019 cohort of school students aged 16-17 (Lower Sixth Form, Year 12) from the North-East. Students from Southmoor Academy, St Anthony’s, St Robert of Newminster, and Park View Academy, Continue reading

UCL – Scientific Works of Robert Grosseteste

Giles Gasper (Durham University) will be giving a talk later today to the Interdisciplinary Medieval and Renaissance Seminer at University College, London, 6.15-7.15 on ‘The Scientific Works of Robert Grosseteste’. Giles will be talking about the work of the Ordered Universe project, its collaborative research methods, and larger questions concerning the whole corpus of scientific works produced by Grosseteste c. 1195-c.1230. Many thanks to Jack Ford for the invitation.

Medieval and Modern Tides – Light Up Poole Festival 2019

Last weekend, on Saturday February 23rd, Ordered Universe members Brian Tanner and Giles Gasper took part in the Light Up Poole Festival, on the UK’s south coast, in Dorset. We gave a talk to the public on the scientific works of Robert Grosseteste, in Continue reading