Our new publication from the Journal of the Acoustical Society of America, ‘A thirteenth-century theory of speech‘, introduced by its principal author, Joshua Harvey…
As we come to the end of the OxNet Access Summer School the students on Ordered Universe strand have been working very hard across the week with the three treatises by Grosseteste that we read through collaboratively. On the Impressions of the Elements, On the Six Differentiae, and On the Rainbow find Grosseteste at his most intriguing, and in some sense difficult. Approaching these texts is a complex exercise; the complexity itself is a significant part of why the Ordered Universe methodology works through bringing lots of disciplinary perspectives together. The historical context has to be borne in mind – who was Grosseteste, where was he, who was he writing for; the source-base for which he was working and his access to particular works – when, for example, did he encounter Ibn Rushd/Averroes? when did he extended journey through Aristotle’s natural philosophy begin?; what are the phenomena he studies, and why?. How Grosseteste made his investigations took place is another area with a whole series of questions implied, what, for instance did optics mean for Grosseteste? why is astrology in his period sometimes approved of, sometimes condemned?, why does his universe have the shape and structure that he does? And to that we can add both the nature and understanding of the phenomena that he studies – what is a rainbow? colour? sound? a comet?
And the Access students, very much as part of the project, have taken a collaborative approach, and offered their own interpretations, analyses, and insights – some of which were entirely new to the team members teaching this week. As an example of what university research can be (amongst its may and varied and exciting forms) the project is well suited to capture the imagination. What has been so much more encouraging is the way that the students have responded – taking the past on its own terms, seeking out its different values, but at the same time using all of their prior experience, and skills, asking different questions, and trying to answer them, to see the research exercise as a whole. It is an enriching environment, and one that we hope will inspire future directions and choices – and horizon broadening!
August 4th-9th 2019 sees the annual OxNet Access Summer School take place at Pembroke College, University of Oxford. Under the theme Horizons, the scheme brings together all of the hub schools within the OxNet scheme, from London, the North-West, and the North-East, and the varied networks that they represent. These include the four strands that make up the summer school: the North-West Science Network, the Continue reading
As part of the preparations for the second volume in our series, various members of the Ordered Universe team gathered towards the end of July at the Centre for Medieval Studies, University of York, hosted by Tom McLeish. This was a different sort of meeting for the group from our collaborative reading and translating symposia. This time we met to share progress on chapter and section writing for the new volume, and to plan in more detail how sections might knit together, be juxtaposed, and how different interpretations and analyses of the same text might best sit together. Continue reading
A quick update on Ordered Universe and related publications: we were delighted to see the Compotus by Grosseteste, edited and translated by Philipp Nothaft and Alfred Lohr make its appliance earlier this year. To this we will be able to the first volume of our series on the other scientific works. Knowing and Speaking Continue reading
It has been a busy summer season already for the Ordered Universe project. July began with the International Medieval Congress at Leeds. An annual gathering for medievalists, and one of the largest, busiest, and most dynamic in the field, the congress took as its 2019 theme ‘Materialities’. Which suited the project very well. A series of four sessions and a round-table were proposed and accepted – all on Tuesday 2nd July. Tom McLeish, Nicola Polloni, and Francesca Galli led off on Grosseteste and light, from considerations of his view on matter, to light and preaching manuals, and the treatises On Light and On the Six Differentiae. The second session featured Hannah Smithson and Giles Gasper on different aspects of sight and optics, covering the treatises On Colour, On the Rainbow, On the Liberal Arts, On Lines and Angles and On the Nature of Places, as well as some of Grosseteste’s Dicta.
After lunch our third session involved Brian Tanner, Philipp Nothaft, and Anne Mathers on comets, Grosseteste’s Compotus, and weather prediction. The new edition of the Compotus is out and available from OUP, and other booksellers! Anne also has a new book on medieval meteorology out with CUP soon. The fourth and final session focused on Grosseteste and sound, with Joshua Harvey and Sigbjørn Sønnesyn, exploring the experimental and source critical aspects to On the Generation of Sounds. So, we covered quite a lot of Grosseteste’s scientific corpus!
Our final presentation was a round-table, chaired by Tom McLeish, and involving representatives of the wide range of disciplines that compose the project: Laura Cleaver (Art History), Brian Tanner (Physics), Cate Watkinson (Glass Art), Clive Siviour (Engineering), and Giles Gasper (History). A wide-ranging discussion of the implications of inter- or multi-disciplinarity, the evolution of the project, outputs and experience, and the delight that we all share in learning more about each other’s work and insights, the past, and the world around us. Thank you very much to all of the participants, the audiences for talks and round-tables, and the IMC for selecting our proposals! More to come soon…
Watch Tom McLeish talking through Grosseteste on Colour and the Rainbow at the Royal College of Art, for a conference on Colour through Time: Enjoy!
News on the first volume of six from the Ordered Universe presenting the scientific works of Robert Grosseteste. The first volume is avialable for pre-order from both the Oxford University Press website and at Amazon (UK and others). The first volume has a shipping weight of 739 grams and is 640 pages in total, and features 19 co-authors (it is not an edited volume but a co-authored monograph, under the aegis of Ordered Continue reading
As followers of the Ordered Universe will know the project will be represented in four sessions and a round-table at the International Medieval Congress in Leeds. All sessions take place on Tuesday 2nd July, and work around the conference theme of materiality. We move from the physics of light and dimensions of materiality, to theories of vision, Continue reading
Why is the natural world saturated with constant movement, and how do we make sense of this perpetual fluctuation of material things? What principles and methods are most suited to find order and coherence in this ever-changing world? From May 13th to 16th, the Ordered Universe gathered at Bishop Grosseteste University in Lincoln to read, analyse, and debate Robert Grosseteste’s answers to these questions in a series of texts. The scope of these texts ranges from the geometrical and optical principles of natural causality in the twinned treatises On Lines, Angles, and Shapes and On the Nature of Places, via the labyrinthine search for the unifying causal factor in bodily movement in On Bodily Movement and On Light, to the condensed metaphysics of On the Movement of Supercelestial Bodies. If the principles of heavenly movement remained obscure, the clear skies allowed the rays of the sun full freedom to give leafy Lincoln a summery sparkle. The staff and amenities at Bishop Grosseteste University were as welcoming as the weather, and provided ideal surroundings for activity and movement as well as for rest.
As always, our twofold task was to beat draft translations into shape and figure out what arguments the sometimes highly obscure Latin texts were meant to establish. We were fortunate to have in our midst scholars from a range of discipline corresponding to the breadth of Grosseteste’s interests and talents. BGU did not only contribute hospitality but also scholarship, in the form of Dr Jack Cunningham and his PhD students Ros Gammie and Adam Foxon at the theology department at BGU, and Dr Gioacchino Curiello, who is a British Academy Post-Doc at the same department. Gioacchino also brought some welcome variation into our work schedule through presenting his ongoing research on Grosseteste’s translations of and commentaries on the Pseudo-Dionysian corpus of texts, and how these can be linked to his pastoral care as Bishop of Lincoln.
The texts we worked on this time draw heavily on geometry and optics to explain natural phenomena and natural causation. Professors Tom McLeish from York and Brian Tanner from Durham produced extremely helpful diagrams of the reasoning implicit and explicit in the texts, and Oxford Vision Scientists Professor Hannah Smithson and Dr Rebekah White brought clarity and focus to our reading by refracting Grosseteste’s opaque words through the lenses of their expertise. Professor Clive Siviour and Joshua Harvey, also of Oxford, showed how useful their training in Engineering and, in Josh’s case, Experimental Psychology, is for elucidating medieval texts with precision.
Professor Cecilia Panti (Rome, Tor Vergata) had produced wonderful new editions of On Lines, Angles, and Shapes and On the Nature of Places, and Dr Neil Lewis’s (Georgetown) translation of On the Movement of Supercelestial Bodies was based on Cecilia’s already published edition of that work. We also revisited Neil’s meticulous edition and translation of On Bodily Movement and On Light, which continues to fascinate and puzzle us. Since these texts draw heavily on other medieval works, we were delighted to welcome back Dr Nicola Polloni (Berlin) and Dr Seb Falk (HPS, Cambridge), who made essential contributions from their expertise, respectively, in medieval philosophy and medieval science. Dr Sarah Gilbert, who recently completed her PhD in History at Durham, had helped organise the workshop and added her valuable Latin skills to her administrative contributions. We were also joined by Karen Monid of The Projection Studio. Karen and Ross have used Grosseteste’s texts as inspiration for their wonderful projection shows, using the movement of light and of sound to make the most profoundly moving projection shows. We are very much looking forward to seeing what this creative team will do next!
Grosseteste assumed as axiomatic that a unitary effect must have a unitary cause and origin. The union of these disciplines in a unitary debate, while dependent on all participants, can be traced back to the unifying leadership of Professor Giles Gasper (Durham), who once again managed to make numerous disparate impulses and energies pull in the same direction. Giles also gave a public lecture, together with Sig Sønnesyn (Durham) and Cecilia Panti, with the title ‘Creation and the World Machine: 13th Century Science and Theology’. In this lecture, Giles framed Grosseteste’s life and work within the overarching theme of creation theology and natural science. Sig gave a case study of this from the perspective of the short treatise On the Six Differentiae, and Cecilia presented her recent edition of a text, quite possibly and plausibly authored by Grosseteste, on the importance of astronomical time-keeping for the art of medicine and healing.
One of the central lessons of Grosseteste’s geometrical account of natural causality is that while a single rectilinear influence from cause to effect can be effective, the effect is many times stronger when several such lines converge on the same point to concentrate their efforts. This workshop, converging on Grosseteste’s episcopal seat and final resting place, has reminded us how this is applicable, with the necessary modifications, to scholarship as well. By coming together to concentrate our efforts towards a shared goal, we were able to produce effects that none of us would have been capable of on our own. Grosseteste would not have been surprised at this, convinced as he was that nature is the best guide for art and academic pursuits.