Ordered Universe in Early 2018: Events Update

2018 is set fair to be another busy year for the Ordered Universe team. In addition to submitting our first volume presenting the treatises On the Liberal Arts and On the Generation of Sounds, and the Middle English Seven Liberal Arts, to press, we have a wide range of other events organised. This is just a reminder of those coming up in the first quarter of the year.

The two exhibitions featuring work inspired by the project run over this period. Illuminating Colour, a major exhibition of new work from Cate Watkinson and Colin Rennie at the National Glass Centre, University of Sunderland, drawing on Grosseteste’s treatises On Colour and On the Rainbow runs until March 10th. This is a world-class exhibition – do come and see it in situ. And, if you find yourself in the North-East come along to the Dante Exhibition at Palace Green Library in Durham and see, amongst the other treasures, Alexandra Carr’s sculpture of the nested spheres of the medieval universe, and a film installation as well. Alexandra’s work was produced as part of her Leverhulme  Trust funded Artistic Residency at Durham University and Ushaw College focusing on medieval and modern cosmology.

January sees the fifth symposium of the current series, at Pembroke College, University of Oxford. In addition the OxNet course at Southmoor Academy recruits and commences its 6 week seminar series, to be taught to schoolchildren from across the North-East at the National Glass Centre. This involves Richard Bower – on Cosmology, Brian Tanner – on Physics, Joshua Harvey – on Psychology, Nicola Polloni and Kasia Kosior – on Translation, Cate Watkinson and Colin Rennie – on Creativity, and Giles Gasper and Tim Farrant on History and Religion. All co-ordinated by Kasia Kosior and the wonderful OxNet team.

February features a number of different activities. Tom McLeish and Giles Gasper are speaking on 7th February, on the modern and medieval cosmos, as part of the Dante Lecture series organised by Durham University’s Institute of Medieval and Early Modern Studies (IMEMS). Friday 9th February will see the Ordered Universe at the Cambridge e-Luminate Festival of Light for the second year in a row. We’ll be running a series of talks and then show and tell activities over the afternoon and early evening in the Guildhall in Cambridge. And this alongside Ross Ashton and Karen Monid’s new sound and light show. Keeping up the pace, on the 13th February IMEMS is running a day-long workshop on the Scientific Study of Manuscripts, Brian Tanner and Giles Gasper will be talking on Ordered Universe experience of interpreting medieval thought using science and humanities methodologies and approaches. Finally, Jack Cunningham will deliver a lecture in the Ushaw College series in Durham on his discovery of an 18th century life of Grosseteste. ‘ ‘Saving Robert Grosseteste – Fr Philip Perry’s Lost Biography’ takes place on 22nd February, 18.00-19.15

We wrap up the OxNet seminar course in March, and put all focus on the Ordered Universe conference in April – more on that soon, and look forward to the Ordered Universe/OxNet Easter School in Durham – focused on medieval manuscripts, the British Society for the Philosophy of Science conference, and then into the early summer and our Montreal visit, the Kalamazoo International Medieval Congress….and we’re already half way through the year!

De Luce

Space, Place and Elements: Ordered Universe Symposium

Tomorrow sees the fifth Ordered Universe symposium in the current series, as funded by the AHRC (and the twentieth in the all-time rankings) get underway. We’ll be focusing on three texts, all from the mid-years of Grosseteste’s scientific writing career: On the Six DifferencesOn Comets and On the Impressions of the Elements. All are beautiful, intricate and more complex than they look at first reading, and reveal Grosseteste marshalling more sources, working with greater familiarity with Aristotelian natural philosophy and his Arabic-language commentators. Dating from the second decade of the thirteenth century to the first half of the third, Grosseteste’s location at the time of composition is as uncertain, as the political and social turbulence of these years is assured. For what purpose and for whom the treatises were composed remains unclear, whether for teaching or for private reflection. The texts themselves however, are as precise and dauntingly specific as ever.

We are very happy indeed to be back in the elegant surroundings of Pembroke College, Oxford University, and huge thanks to Rebekah White, Clive Siviour, Josh Harvey and Nuala Darnell for organisation. Sarah Gilbert, the Ordered Universe administrator has been the lynchpin in this capacity as well. The programme is available here as PDF and in on Issuu below. Future symposia will be taking place in Montreal (McGill University), Dublin (Trinity College), Lincoln (Bishop Grosseteste University) and Durham, with workshops in between at the University of York. The collaborative reading remains the centre-piece of Ordered Universe activities: a nice reminder of how complex Grosseteste’s ideas were, how hard the process of elucidation is, and the meeting of minds, present and past. We’ll let you know the results and what we’re up to this year!

New Year? New Symposium!

 

The Ordered Universe team are throwing themselves into 2018 with another symposium that will focus on preparing our collaborative editions and translations of the shorter scientific works of Robert Grosseteste.

The symposium will be held Jan 7th–10th 2018 at Pembroke College, Oxford, and this time around the team will be reading Robert Grosseteste’s De cometis, De sex differentiis and De impressionibus elementorum.

Continue reading

Empyrean – Ordering Dante’s Universe

Hell, Heaven and Hope: A Journey through life and the afterlife with Dante is now open to the public in the Palace Green Galleries at Durham. The exhibition features a fabulous range of copies of Dante’s works, as well as contemporary artwork. Alexandra Carr’s Empyrean features as part of the section of Paradise. Completed as part of Alexandra’s Leverhulme Trust Artist in Residence programme, the sculpture represents the spheres of the medieval universe, drawing on Grosseteste and Dante: sculpting with light on the grandest scale in the creation of the universe.  Continue reading

Lux mundi: Alexandra Carr at the Bowes Museum

Multi-media sculptor Alexandra Carr has a new temporary installation at the Bowes Museum, Barnard Castle, County Durham. Lux Mundi was commissioned by the George Harris at the Bowes, as a result of Alexandra’s period as Leverhulme Artist in Residence, a viewing of Lux Obscuraand the good offices of Jane Hedges of the County Durham Cultural Partnership. The installation will be up over the Christmas period and transforms the main staircase in the Museum. Lux Mundi dwells Continue reading

Dante’s World

A new exhibition opens in Durham this week, at the Palace Green Library Galleries. Curated by Annalisa Cipollone Dante: Hell, Heaven and Hope – A Journey through Life and the After-Life with Dante opens on Saturday 2nd December 2017, and runs until early March 2018. Following Dante’s poem The Divine Comedy with its tour through Hell, Purgatory and Paradise, the exhibition features rare manuscripts of Dante’s work, printed copies and artistic responses to one of the greatest imaginative achievements of the Middle Ages.  Continue reading

Swansea: Rainbows and Colour

Last week, Thursday 23rd and Friday 24th November, Ordered Universe members were made very welcome at the Centre for Medieval and Early Modern Research, and the Department of History at Swansea University.  Continue reading

The Ordered Universe Project and the Being Human Festival 2017: Oxford Edition

Joshua Harvey, a DPhil Candidate in the departments of Engineering Science and Experimental Psychology at the University of Oxford brings us a report on his time as a ‘Lost Late’ exhibitor at the Oxford strand of the Being Human Festival 2017.

Oxford Being Human 2017 1

Last Friday saw 1,500 people of all ages congregating under a fabulous mix of lights, music, research, and dinosaurs. The event, ‘Lost Late’, formed part of the national Being Human festival, hosted by both the Natural History and Pitt Rivers museums in Oxford. From 7pm until late into the evening, visitors could stroll through the two connected museums, which had been utterly transformed into a realm of discovery, from mazes to archaeological dig sites. Continue reading