A wonderful feature of the Ordered Universe conference (Pembroke College, Oxford, April 3-6), was the installation by Alexandra Carr, in the Damon Wells Chapel in the college. The mysterious and beautiful structure intrigued and delighted the conference delegates, but kept us all in suspense with respect to its name. Continue reading
With a day to go before the Ordered Universe conference on Science, Imagination and Wonder, we’re very much looking forward to the public lecture to be given by Professor Jim Al-Khalili, On the Shoulders of Giants: Optics before Newton, in the Weston Library, from 17.15 on Continue reading
Excitement is building as months of planning, hard work, and preparations are about to come to fruition. The programme for the upcoming conference Science, Wonder, and Imagination – Robert Grosseteste and His Legacy is now very close to being finalized. The conference, organised by The Ordered Universe Project in association with the International Grosseteste Society, will take place at Pembroke College, Oxford, on April 3rd to 6th, and we are very excited about the range of topics covered by our line-up of speakers. The works of Robert Grosseteste will form points of departure for scholars from a great variety of disciplines, including philosophy, theology, cutting-edge science as well as history of science, education studies, and broader historical disciplines; but also for explorations of the aesthetic inspirations to which Grosseteste’s works can give rise. Judging from the titles and abstracts, speakers are eager and willing to look beyond their own disciplines and communicate across disciplinary boundaries, and we are very much looking forward to the discussions and conversations that such a wide variety of approaches can engender.
The conference programme has been constructed around the pillars of four keynote papers, to be delivered by
Professor Simon Oliver, Van Mildert Professor of Divinity, Durham University and Residentiary Canon of Durham Cathedral;
Professor Suzanne Conklin Akbari, Professor of English and Medieval Studies and Director of the Centre for Medieval Studies, University of Toronto;
Professor Jim Al-Khalili OBE, Professor of Physics and Professor of Public Engagement in Science, University of Surrey;
and Professor John Milbank, Professor in Religion, Politics, and Ethics, University of Nottingham.
We are very grateful to our keynote speakers for accepting our invitation, and we look forward to having our horizons broadened by their unique perspectives.
The Ordered Universe teams at Oxford and Durham have worked very hard to make this conference possible, and we are deeply grateful for their labours. Watch this space for more updates and reports!
Tomorrow sees the fifth Ordered Universe symposium in the current series, as funded by the AHRC (and the twentieth in the all-time rankings) get underway. We’ll be focusing on three texts, all from the mid-years of Grosseteste’s scientific writing career: On the Six Differences, On Comets and On the Impressions of the Elements. All are beautiful, intricate and more complex than they look at first reading, and reveal Grosseteste marshalling more sources, working with greater familiarity with Aristotelian natural philosophy and his Arabic-language commentators. Dating from the second decade of the thirteenth century to the first half of the third, Grosseteste’s location at the time of composition is as uncertain, as the political and social turbulence of these years is assured. For what purpose and for whom the treatises were composed remains unclear, whether for teaching or for private reflection. The texts themselves however, are as precise and dauntingly specific as ever.
We are very happy indeed to be back in the elegant surroundings of Pembroke College, Oxford University, and huge thanks to Rebekah White, Clive Siviour, Josh Harvey and Nuala Darnell for organisation. Sarah Gilbert, the Ordered Universe administrator has been the lynchpin in this capacity as well. The programme is available here as PDF and in on Issuu below. Future symposia will be taking place in Montreal (McGill University), Dublin (Trinity College), Lincoln (Bishop Grosseteste University) and Durham, with workshops in between at the University of York. The collaborative reading remains the centre-piece of Ordered Universe activities: a nice reminder of how complex Grosseteste’s ideas were, how hard the process of elucidation is, and the meeting of minds, present and past. We’ll let you know the results and what we’re up to this year!
We are pleased to announce that we are now accepting applications from sixth form students in the north-east of England to be a part of the OxNet 2017–2018 scheme. Continue reading
Last night saw the launch of Illuminating Colour, a new exhibition from Cate Watkinson and Colin Rennie at the National Glass Centre, University of Sunderland. The exhibition, as readers of this site will know, grew from a collaborative initiative with the Ordered Universe project, Through a Glass Darkly. The exhibition emerged from a series of meetings, collaborative readings, knowledge exchange sessions (learning about glass, living medieval manuscripts), glass-making, planning and exhibits within the Being Human Festival, all of which took place over the last 18 months. Students and staff from Durham, Sunderland and Oxford, as well as the international collaborators from Ordered Universe, have all taken part and contributed, Artists Alexandra Carr, Ross Ashton, Alan Fentiman and Rosie Reed Gold have also been involved from their different media expertise.
The centrepiece of the exhibition is Cate and Colin’s work. Taking Grosseteste’s treatises On Colour and On the Rainbow as the principal inspiration, alongside his thinking on light and other meteorological phenomena, the works have come together over the last year. It has been an enormous privilege to watch this happen, and, at some level, to have been involved. The imagination, craft, skill depth of experience and curiosity to experiment are both mind-blowing and inspiring. The exhibition dwells profoundly on Grosseteste’s statement that ‘Light is colour embodied in a transparent medium’. The end of that treatise, On Colour, invokes the fact that those who are especially skilled can manipulate the medium to make whatever colour they like. This description is applied justly to Cate and Colin, and the pieces they have created.
Illuminating Colour finishes on 11th March 2018, so there is plenty of time to come and visit, and what a reason (if any were needed), to come to the North-East. This is also only the beginning of the collaboration, so stay tuned for further cross-disciplinary exploration of the universe in which we live and how we explain and perceive it. The exhibition is supported by the University of Sunderland, the National Glass Centre, the Arts and Humanities Research Council, Durham University and the Ordered Universe project. For those that couldn’t be there last night – some images and a periscope tour of the exhibits – but do come and see the real things!
National Glass Centre UK launch of new exhibition Illuminating Colour https://t.co/dK4YzTg2oT
— Giles Gasper (@GilesGasper) October 20, 2017
It is not often that you get to see your research used in the production of stunning artwork, but that is exactly the case for the Ordered Universe team and the collaboration with Cate Watkinson and Colin Rennie at the National Glass Centre, University of Sunderland. Opening this Friday, Illuminating Colour runs from October 21st 2017 until March 11th 2018 in the Main Gallery at The National Glass Centre. The fruit of collaboration across the project and the NGC as readers of previous blogposts will know, it is tremendous to see Cate and Colin’s imagination, hard work, skill, craft and learning come to the point of exhibition.
Cate Watkinson talks through her ideas for the National Glass Centre, University of Sunderland’s, upcoming exhibition on Grosseteste, light and colour, in the autumn. This is the second film made by Claire Todd, exploring aspects of how the pieces and the exhibition come together. Colour, Light and the magic of glass….
We are very grateful for the support of the Durham University Institute of Advanced Study in making these films possible.
Absolutely thrilled to announce an upcoming exhibition at the National Glass Centre, University of Sunderland. Artists Cate Watkinson and Colin Rennie, with contributions from MA and PhD students from the Centre will be creating a fantastic array of installations, all based on Grosseteste’s treatises on light, colour and the rainbow. The exhibition will run from October 2017 to February 2018 at the Glass Centre.
Amongst the pieces to be created are pillars of colour casting shadow and reflection, and an exploded rainbow, with sequences of colour moving and blending into each other:
Other pieces will work with medieval imagery and text; all will be exploring Grosseteste’s idea that Colour is Light ‘Color est lux’. Or, as he put in his Commentary on the Genesis Creation story, a constant mediation and mingling of the elements:
Nor should anyone think that the earth could not have been coloured at the beginning, given that colour is light in a diaphanous medium and light was not yet created. In fact, if the creation of things was successive the fire was mixed with this solid earth since the beginning, as it is now; and the incorporation of its light (that is: the fire-light) in the moisture of the earth made the earth coloured. In fact, these elements that we perceive around us are not pure, but mixed with each other, and are named from the element that predominates.
[Hexaemeron 4.7.2: ed. Richard C. Dales and Servus Gieben (Oxford, 1982); translated by C.F.J. Martin as On the Six Days of Creation (Oxford, 1996)]
Flowing from the Through A Glass Darkly collaboration the exhibition also forms part of the City of Sunderland’s bid for UK City of Culture. It really is amazing to see the continued inspiration that Grosseteste’s thinking moves and shapes, and to see different levels of analysis, interpretation and explanation of these texts through glass.
We’ll be creating a Vlog to track the progress of the making – many thanks to Claire Todd – and to whet your appetites for the exhibition, in its various modes: meditative and explosive by turns.