The Golden Gate Bridge in San Francisco, CA at sunset.
Napa Opera House, 1018-1030 Main St., Napa, CA
January 2019 – if you’re in or around Napa California, drop into the Napa Lighted Festival which runs in the second two weeks of the month. Various members of the Ordered Universe team will be participating with a series of talks and activities in the afternoons and evenings of the 17th, 18th, 19th. We’re thrilled by the invitation to work for and with the Festival, which came about through Ross Ashton and Karen Monid of The Projection Studio. With a festival theme of Beyond, we’ll be working with Ross and Karen on a new projection show drawing on Grosseteste’s cosmological treatises: Horizon. On the Six ‘Diffeertiae’, On the Sphere, and others will feature in the new piece, under development at the moment. Taking research from the seminar-room to a different audience, in partnership with artistic collaborators is a fascinating and exhilarating experience. We’re very much looking forward to working with the Parks and Recreation Department in Napa to bring the best that we can to the city. Continue reading
Some more reflections and pictures from our creative collaborative seminar at the Continue reading
A third item of news from the creative strands connected to the Ordered Universe project is that Alexandra Carr’s beautiful sculpture of the medieval cosmos, Empyrean, produced during her Leverhulme Artist in Residence at Durham University (2017) with Giles Gasper, is on display at Ushaw College. This is entirely appropriate given that it was at Ushaw that the piece was conceived and took shape. It formed part of the Dante Continue reading
Earlier this month members of the Ordered Universe team, Joshua Harvey and Alexandra Carr gave papers at the Media Lab at MIT, Cambridge Massachusetts. Joshua’s paper, ‘Medieval and modern visual alchemy: material and digital ‘transmutation’ of chromatic statistics’, in which he presented his recent work on the potential of manipulating distributions of chromatic statistics within an image, to transfer material appearances. His research has significant potential applications in the fields of image processing and computer graphics and has been informed by his investigations into the medieval imitation gold material featured in polychrome sculpture.
Alexandra’s paper, ‘The body of colour: a medieval perspective’, outlined her artistic outputs to her collaboration with the Ordered Universe project so far, with a particular focus on colour. Setting aside the current rationalistic empirical paradigm, she proposed the notion of colour as a physical body through investigating the phenomena of light and the concept of darkness. Seeing the world through the eyes of a natural philosopher allows space for the psychological, metaphysical and philosophical implications of the theory of colour, which has led to new scientific theories. The artistic investigation, thoughts and outputs of medieval treatises demonstrates that a revisiting of ideas from antiquity and an uninhibited re-questioning of phenomena is conducive to new methodologies and theories.
The talks provided a great opportunity for further lines of investigation both practically and philosophically, with colour perception and impossible colours taking centre stage. Dr Andreas Mershin of The Centre for Bits and Atoms very kindly showed everyone around the lab, wowed everyone with a laser capable of allowing you to see colours you have never seen before, and described the work he is carrying out on olfactory and visual perception. Joshua, Alexandra and Andreas plan to meet shortly to continue sharing ideas and keeping the dialogue going. We’ll keep you posted as to where this leads.
A wonderful feature of the Ordered Universe conference (Pembroke College, Oxford, April 3-6), was the installation by Alexandra Carr, in the Damon Wells Chapel in the college. The mysterious and beautiful structure intrigued and delighted the conference delegates, but kept us all in suspense with respect to its name. Continue reading
The Blackwell Hall.
With a day to go before the Ordered Universe conference on Science, Imagination and Wonder, we’re very much looking forward to the public lecture to be given by Professor Jim Al-Khalili, On the Shoulders of Giants: Optics before Newton, in the Weston Library, from 17.15 on Continue reading
Film-maker Alan Fetiman followed and documented the Through a Glass Darkly collaboration between Ordered Universe and the National Glass Centre culminating in the exhibition of new work by Cate Watkinson and Colin Rennie Illuminating Colour. The documentary is complete and makes for a fascinating insight into the different perspectives of the participants, and how the the various aspects of the programme came together. Working with Alan as part of the team has added an exciting dynamic to the collaboration, and another, different, response to Grosseteste’s scientific reflections. We’re very grateful to Durham University for providing funding for the making of the film, and present it here as a chronicle of collaboration, and another segment of the kaleidoscopic approach of the Ordered Universe research project.
Through A Glass Darkly – Documentary from Alan Fentiman on Vimeo.
Yesterday, February 9th, was the opening of the 6th Cambridge e-Luminate Festival. Members of the Ordered Universe team were delighted to be asked to give an afternoon of talks, demonstrations and interactive activities as part of the opening events. Seb Falk (Cambridge), Jack Cunningham (Bishop Grosseteste University), Josh Harvey (Oxford), Giles Gasper (Durham), and Alexandra Carr (Multi-Media Sculptor), Continue reading
More previews from the papers for the Ordered Universe conference April 3-6. We’re delighted with the response to the call for papers, and to be in partnership with the International Robert Grosseteste Society (Science, Imagination and Wonder will also include meeting for the society). Amongst the papers accepted we have a theme on interdisciplinarity, marshalled by our own Tom McLeish, a series of papers on Grosseteste’s models and antecedents, and his involvement with the English Franciscans.
- Tom McLeish (York) on ‘Beyond Interdisciplinarity to the Unity of Knowledge: Why we need both Medieval and Modern Minds’
- Nicola Polloni (Durham) on ‘Sources of Light: Remarks on the Grosseteste/Avicebron Connection’
- Michael Robson (St Edmund’s College, Cambridge) on ‘Robert Grosseteste and the Franciscan school at Oxford (1224-53)’
- Angelo Silvestri (Cardiff) on ‘Hugh of Avalon’s Ethical, Political, Artistic and Religious thoughts: a Robert Grosseteste Ante Litteram?’
We are pleased to reveal the conference poster, designed by Alexandra Carr (with an image of the medieval cosmos derived from a light-painting evening in County Durham in late September 2017). Please circulate…
Colin Rennie (National Glass Centre, University of Sunderland) and Alexandra Carr, both regular Ordered Universe participants, will be giving a talk at Sunderland University, on Tuesday this week (30th January). Details are below – including contact details for more information. Both Alexandra and Colin are integral to the way in which Ordered Universe research on medieval science, the modern science of the same natural Continue reading