Ordered Universe in Early 2018: Events Update

2018 is set fair to be another busy year for the Ordered Universe team. In addition to submitting our first volume presenting the treatises On the Liberal Arts and On the Generation of Sounds, and the Middle English Seven Liberal Arts, to press, we have a wide range of other events organised. This is just a reminder of those coming up in the first quarter of the year.

The two exhibitions featuring work inspired by the project run over this period. Illuminating Colour, a major exhibition of new work from Cate Watkinson and Colin Rennie at the National Glass Centre, University of Sunderland, drawing on Grosseteste’s treatises On Colour and On the Rainbow runs until March 10th. This is a world-class exhibition – do come and see it in situ. And, if you find yourself in the North-East come along to the Dante Exhibition at Palace Green Library in Durham and see, amongst the other treasures, Alexandra Carr’s sculpture of the nested spheres of the medieval universe, and a film installation as well. Alexandra’s work was produced as part of her Leverhulme  Trust funded Artistic Residency at Durham University and Ushaw College focusing on medieval and modern cosmology.

January sees the fifth symposium of the current series, at Pembroke College, University of Oxford. In addition the OxNet course at Southmoor Academy recruits and commences its 6 week seminar series, to be taught to schoolchildren from across the North-East at the National Glass Centre. This involves Richard Bower – on Cosmology, Brian Tanner – on Physics, Joshua Harvey – on Psychology, Nicola Polloni and Kasia Kosior – on Translation, Cate Watkinson and Colin Rennie – on Creativity, and Giles Gasper and Tim Farrant on History and Religion. All co-ordinated by Kasia Kosior and the wonderful OxNet team.

February features a number of different activities. Tom McLeish and Giles Gasper are speaking on 7th February, on the modern and medieval cosmos, as part of the Dante Lecture series organised by Durham University’s Institute of Medieval and Early Modern Studies (IMEMS). Friday 9th February will see the Ordered Universe at the Cambridge e-Luminate Festival of Light for the second year in a row. We’ll be running a series of talks and then show and tell activities over the afternoon and early evening in the Guildhall in Cambridge. And this alongside Ross Ashton and Karen Monid’s new sound and light show. Keeping up the pace, on the 13th February IMEMS is running a day-long workshop on the Scientific Study of Manuscripts, Brian Tanner and Giles Gasper will be talking on Ordered Universe experience of interpreting medieval thought using science and humanities methodologies and approaches. Finally, Jack Cunningham will deliver a lecture in the Ushaw College series in Durham on his discovery of an 18th century life of Grosseteste. ‘ ‘Saving Robert Grosseteste – Fr Philip Perry’s Lost Biography’ takes place on 22nd February, 18.00-19.15

We wrap up the OxNet seminar course in March, and put all focus on the Ordered Universe conference in April – more on that soon, and look forward to the Ordered Universe/OxNet Easter School in Durham – focused on medieval manuscripts, the British Society for the Philosophy of Science conference, and then into the early summer and our Montreal visit, the Kalamazoo International Medieval Congress….and we’re already half way through the year!

De Luce

Empyrean – Ordering Dante’s Universe

Hell, Heaven and Hope: A Journey through life and the afterlife with Dante is now open to the public in the Palace Green Galleries at Durham. The exhibition features a fabulous range of copies of Dante’s works, as well as contemporary artwork. Alexandra Carr’s Empyrean features as part of the section of Paradise. Completed as part of Alexandra’s Leverhulme Trust Artist in Residence programme, the sculpture represents the spheres of the medieval universe, drawing on Grosseteste and Dante: sculpting with light on the grandest scale in the creation of the universe.  Continue reading

Lux mundi: Alexandra Carr at the Bowes Museum

Multi-media sculptor Alexandra Carr has a new temporary installation at the Bowes Museum, Barnard Castle, County Durham. Lux Mundi was commissioned by the George Harris at the Bowes, as a result of Alexandra’s period as Leverhulme Artist in Residence, a viewing of Lux Obscuraand the good offices of Jane Hedges of the County Durham Cultural Partnership. The installation will be up over the Christmas period and transforms the main staircase in the Museum. Lux Mundi dwells Continue reading

Dark Matter Day

Ordered Universe members took part yesterday in an evening event for Dark Matter Day, organised by Durham University’s Institute of Particular Physics Phenomenology and the Institute for Computational Cosmology (home for Ordered Universe’s Richard Bower). Open to the public, the event featured research, Continue reading

Illuminating Colour – Now Open

Last night saw the launch of Illuminating Colour, a new exhibition from Cate Watkinson and Colin Rennie at the National Glass Centre, University of Sunderland. The exhibition, as readers of this site will know, grew from a collaborative initiative with the Ordered Universe project, Through a Glass Darkly. The exhibition emerged from a series of meetings, collaborative readings, knowledge exchange sessions (learning about glass, living medieval manuscripts), glass-making, planning and exhibits within the Being Human Festival, all of which took place over the last 18 months. Students and staff from Durham, Sunderland and Oxford, as well as the international collaborators from Ordered Universe, have all taken part and contributed, Artists Alexandra Carr, Ross Ashton, Alan Fentiman and Rosie Reed Gold have also been involved from their different media expertise.

The centrepiece of the exhibition is Cate and Colin’s work. Taking Grosseteste’s treatises On Colour and On the Rainbow as the principal inspiration, alongside his thinking on light and other meteorological phenomena, the works have come together over the last year. It has been an enormous privilege to watch this happen, and, at some level, to have been involved. The imagination, craft, skill depth of experience and curiosity to experiment are both mind-blowing and inspiring. The exhibition dwells profoundly on Grosseteste’s statement that ‘Light is colour embodied in a transparent medium’. The end of that treatise, On Colour, invokes the fact that those who are especially skilled can manipulate the medium to make whatever colour they like. This description is applied justly to Cate and Colin, and the pieces they have created.

Illuminating Colour finishes on 11th March 2018, so there is plenty of time to come and visit, and what a reason (if any were needed), to come to the North-East. This is also only the beginning of the collaboration, so stay tuned for further cross-disciplinary exploration of the universe in which we live and how we explain and perceive it. The exhibition is supported by the University of Sunderland, the National Glass Centre, the Arts and Humanities Research Council, Durham University and the Ordered Universe project. For those that couldn’t be there last night – some images and a periscope tour of the exhibits – but do come and see the real things!

 

 

Through a Glass Darkly – More and more things to do with glass!

Work continues apace for the October 2017 launch of the National Glass Centre exhibition by Cate and Colin based on research from the Ordered Universe and the scientific world of Robert Grosseteste. The official launch date is 20th October and the exhibition will run until March 2018. A visit with Giles Gasper, Alexandra Carr, photographer Rosie Reed Gold (whose photographs are used here), and OxNet Southmoor Academy co-ordinator Katarzyna Kosior, revealed the riches in store. Continue reading

Inspiring Young Minds with Old Thinking

A blog from Thomas Henderson, Durham University, History undergraduate, and recipient of a Laidlaw Scholarship, attached to the project for the next two years.

Last week, the Ordered Universe enjoyed a prominent role in OxNet Access Week summer school at Pembroke College, Oxford. Run under the aegis of Dr Peter Claus, the programme is designed to introduce sixth-formers to the realities of university life, study and research (about which more can be read in the previous post). The week’s programme took its title – ‘The World Machine’ – from the project, and placed particular emphasis on the demands of interdisciplinarity. In introducing the summer school as a whole, Giles Gasper urged the 16- and 17-year-olds to ignore the boundaries they were used to, and to shed the fear of appearing stupid or wrong – skills necessary both for interdisciplinary research and the transition from further to higher education.

As such, the separate streams of Humanities, Science and Theology, though operating in parallel, were regularly combined in shared lectures given by members of the Ordered Universe project: Hannah Smithson lecturing on colour perception, Tom McLeish on the role of inspiration in scientific research, Richard Bower on Cosmology, medieval and modern, and Giles Gasper on the Grosseteste’s life, times and scientific output. Working in the college’s chapel, Alexandra Carr produced an arresting light-based multimedia sculpture; an impressive achievement considering her short time frame. This, along with her talks given with Giles Gasper encouraged the students to think about their subjects in more creative, original ways.

In addition to this broad interdisciplinary approach, the Ordered Universe had its own teaching strand. This centred on collaborative reading of Robert Grosseteste’s De luce and De colore, along with lectures, and a successful seminar on sound given by Joshua Harvey. More intensive tutorials were run by Ordered Universe contributors Joshua Harvey and Tim Farrant, with Tom Henderson and Alexandra Haigh together tutoring a third group. Though the work was undoubtedly challenging, the sixth-formers rose magnificently to meet it, making insightful contributions. It was immensely gratifying for tutors to watch as the students grew in confidence over the course of the week, taking to heart Giles Gasper’s assurance that “there are no stupid questions”.

Students’ feedback showed that, while they found the work more difficult than they were used to, their experience of the Ordered Universe project had been immensely rewarding. It was clear that they had internalised the projects principles, looking beyond narrow conceptions of individual disciplines to be more curious and adventurous in their thinking.

Opening a new chapter for Ordered Universe

Next week marks a new line of activity for the Ordered Universe project, and one that has been some time in planning and design. In a nutshell, the project will form part of an award-winning scheme to encourage access to university from school pupils, particularly those from disadvantaged and non-traditional University application backgrounds. The approach of the OxNet scheme  is to use an academically intensive, subject driven programme to inspire, and to stretch and challenge those who take part: which Ordered Universe fits into very nicely. All pupils who participate in the scheme are encouraged to think about and engage with subjects they may not have considered studying, and to raise their academic attainment by taking part in sustained intellectually challenging programmes.

The OxNet scheme which began in Pembroke College, University of Oxford, under the guidance and inspiration of Dr Peter Claus, runs through hub schools – currently in, for example, Hackney, Manchester and Chester. These host a series of activities for a group of students from surrounding schools in their lower sixth year, in connection with the main organisation in Oxford and other universities (including Durham and Manchester). The normal pattern for a strand is a 6 week seminar series (2 hour seminars), a weekend Easter School and a week-long Summer School. Other activities organised by the hubs spin off around this, with subject centres, for example in Theology and Classics, and wider community engagement.

Ordered Universe will feature in the OxNet Summer School next week, with its own strand, designed around the treatises On Colour and On Light. Regular contributors to the project, Giles Gasper, Josh Harvey, Tim Farrant, Hannah Smithson, Tom McLeish and Peter Claus will be running the collaborative reading sessions, lectures and talks on aspects of the project, and smaller group assignments. We will be joined by Thomas Henderson, an undergraduate historian from Durham and recipient of a Laidlaw Research Scholarship and David Shacklette of Pembroke College. In addition to this line-up, Alexandra Carr, one the creative partners of Ordered Universe, and Artist in Residence under a Leverhulme Trust scheme (Sculpting with Light), will be resident throughout the summer school. She will be working with the students and members of the team, and creating a temporary art installation in college.

It is a great privilege to take part in the OxNet scheme. Research-led strands are a new venture, and the Ordered Universe is the principal partner for a new hub school for the North East: Southmoor Academy in Sunderland. The newly appointed co-ordinator Dr Kataryzna Kosior, an expert on Renaissance Poland, will be participating in the summer school, and we look forward, very much, to working with her, Matthew Garragan and Peter Claus, and all of the students who will be taking the Ordered Universe strands over the next three years. As we know, collaboration is both rewarding and time-consuming; the core research from the project will influence directly the content of the OxNet-Ordered Universe programme. Paradigms are there to be shifted, challenges to be met and mastered, and fresh, dynamic insight to be taken from Grosseteste’s writings and our modern analyses.

Colour is Light: Through a Glass Darkly

Another memorable day at the National Glass Centre. Giles, Brian and Alex Carr, together with David Lowther (Leverhulme Early Career Fellow at Durham, working on the history of zoology in the modern period, especially of collections and birds), went over to Sunderland to see the preparations for the Grosseteste-inspired exhibition opening in October.  We also went to complete the filming for the documentary element of Through a Glass Darkly with Alan Fentiman. We had a fantastic time – Colin Rennie made one of his rainbow strands for us. As you’ll see from the clip below, this was quite extraordinary, culminating in molten glass being stretched and spun, changing colour as it cooled.

 

The final products of rainbow sculpture, some 20 or so, will be mounted in an steel frame, each strand moving seamlessly from one colour to another.

 

Cate Watkinson took us through her installations, with models of the larger pieces of glass in sequences. We experimented with torchlight and one of the circular moulds of blue glass, creating internal and external shadows, reflection and patterns at the edge of diaphanous media (as Grosseteste might have observed). Cate is working too on embedding Grosseteste’s treatise De colore (or parts of it) into glass, as well as the larger colour pieces and the movement from black to white.

The exhibition opens on 20th October – we’ll have more updates on progress and activities around the exhibition. For now, we can safely reveal that it will be amazing.

 

Celebrating Arts and Humanities Research

The Ordered Universe project featured today at Durham University’s Celebrating Arts and Humanities Research Day. The second annual event of its kind, the day showcased research from the past year from all of the departments within the Faculty (History, English, Classics, Theology and Religion, Music, Philosophy, and Modern Languages and Cultures). Continue reading