Pictures from the opening of Illuminating Colour, last Week Friday 20th October. Taken again by Rosie Reed Gold, and featuring the artists, other members of the Ordered Universe team, and all who came to see the show.
For those that haven’t yet managed to get to the National Glass Centre in Sunderland, we have here a guided tour to the exhibition by Cate Watkinson and Colin Rennie. Rosie Reed Gold took the photographs, adding another level of interpretation to the movement from 13th century Latin manuscripts, to editions and translations, to textual analysis (by Continue reading
Last night saw the launch of Illuminating Colour, a new exhibition from Cate Watkinson and Colin Rennie at the National Glass Centre, University of Sunderland. The exhibition, as readers of this site will know, grew from a collaborative initiative with the Ordered Universe project, Through a Glass Darkly. The exhibition emerged from a series of meetings, collaborative readings, knowledge exchange sessions (learning about glass, living medieval manuscripts), glass-making, planning and exhibits within the Being Human Festival, all of which took place over the last 18 months. Students and staff from Durham, Sunderland and Oxford, as well as the international collaborators from Ordered Universe, have all taken part and contributed, Artists Alexandra Carr, Ross Ashton, Alan Fentiman and Rosie Reed Gold have also been involved from their different media expertise.
The centrepiece of the exhibition is Cate and Colin’s work. Taking Grosseteste’s treatises On Colour and On the Rainbow as the principal inspiration, alongside his thinking on light and other meteorological phenomena, the works have come together over the last year. It has been an enormous privilege to watch this happen, and, at some level, to have been involved. The imagination, craft, skill depth of experience and curiosity to experiment are both mind-blowing and inspiring. The exhibition dwells profoundly on Grosseteste’s statement that ‘Light is colour embodied in a transparent medium’. The end of that treatise, On Colour, invokes the fact that those who are especially skilled can manipulate the medium to make whatever colour they like. This description is applied justly to Cate and Colin, and the pieces they have created.
Illuminating Colour finishes on 11th March 2018, so there is plenty of time to come and visit, and what a reason (if any were needed), to come to the North-East. This is also only the beginning of the collaboration, so stay tuned for further cross-disciplinary exploration of the universe in which we live and how we explain and perceive it. The exhibition is supported by the University of Sunderland, the National Glass Centre, the Arts and Humanities Research Council, Durham University and the Ordered Universe project. For those that couldn’t be there last night – some images and a periscope tour of the exhibits – but do come and see the real things!
National Glass Centre UK launch of new exhibition Illuminating Colour https://t.co/dK4YzTg2oT
— Giles Gasper (@GilesGasper) October 20, 2017
It is not often that you get to see your research used in the production of stunning artwork, but that is exactly the case for the Ordered Universe team and the collaboration with Cate Watkinson and Colin Rennie at the National Glass Centre, University of Sunderland. Opening this Friday, Illuminating Colour runs from October 21st 2017 until March 11th 2018 in the Main Gallery at The National Glass Centre. The fruit of collaboration across the project and the NGC as readers of previous blogposts will know, it is tremendous to see Cate and Colin’s imagination, hard work, skill, craft and learning come to the point of exhibition.
Work continues apace for the October 2017 launch of the National Glass Centre exhibition by Cate and Colin based on research from the Ordered Universe and the scientific world of Robert Grosseteste. The official launch date is 20th October and the exhibition will run until March 2018. A visit with Giles Gasper, Alexandra Carr, photographer Rosie Reed Gold (whose photographs are used here), and OxNet Southmoor Academy co-ordinator Katarzyna Kosior, revealed the riches in store. Continue reading
Cate Watkinson talks through her ideas for the National Glass Centre, University of Sunderland’s, upcoming exhibition on Grosseteste, light and colour, in the autumn. This is the second film made by Claire Todd, exploring aspects of how the pieces and the exhibition come together. Colour, Light and the magic of glass….
We are very grateful for the support of the Durham University Institute of Advanced Study in making these films possible.
The first in a short series of films by Claire Todd chronicling the development of the National Glass Centre exhibition drawing on Ordered Universe research and the scientific works of Robert Grosseteste. Here Colin Rennie talks about his rainbow sculpture.
We are very grateful to Durham’s Institute of Advanced Study for providing resource to enable the making of these films.
Another memorable day at the National Glass Centre. Giles, Brian and Alex Carr, together with David Lowther (Leverhulme Early Career Fellow at Durham, working on the history of zoology in the modern period, especially of collections and birds), went over to Sunderland to see the preparations for the Grosseteste-inspired exhibition opening in October. We also went to complete the filming for the documentary element of Through a Glass Darkly with Alan Fentiman. We had a fantastic time – Colin Rennie made one of his rainbow strands for us. As you’ll see from the clip below, this was quite extraordinary, culminating in molten glass being stretched and spun, changing colour as it cooled.
Colin Rennie making a rainbow national glass centre Sunderland https://t.co/wq07WMF8jV
— Giles Gasper (@GilesGasper) June 29, 2017
The final products of rainbow sculpture, some 20 or so, will be mounted in an steel frame, each strand moving seamlessly from one colour to another.
Cate Watkinson took us through her installations, with models of the larger pieces of glass in sequences. We experimented with torchlight and one of the circular moulds of blue glass, creating internal and external shadows, reflection and patterns at the edge of diaphanous media (as Grosseteste might have observed). Cate is working too on embedding Grosseteste’s treatise De colore (or parts of it) into glass, as well as the larger colour pieces and the movement from black to white.
The exhibition opens on 20th October – we’ll have more updates on progress and activities around the exhibition. For now, we can safely reveal that it will be amazing.
Absolutely thrilled to announce an upcoming exhibition at the National Glass Centre, University of Sunderland. Artists Cate Watkinson and Colin Rennie, with contributions from MA and PhD students from the Centre will be creating a fantastic array of installations, all based on Grosseteste’s treatises on light, colour and the rainbow. The exhibition will run from October 2017 to February 2018 at the Glass Centre.
Amongst the pieces to be created are pillars of colour casting shadow and reflection, and an exploded rainbow, with sequences of colour moving and blending into each other:
Other pieces will work with medieval imagery and text; all will be exploring Grosseteste’s idea that Colour is Light ‘Color est lux’. Or, as he put in his Commentary on the Genesis Creation story, a constant mediation and mingling of the elements:
Nor should anyone think that the earth could not have been coloured at the beginning, given that colour is light in a diaphanous medium and light was not yet created. In fact, if the creation of things was successive the fire was mixed with this solid earth since the beginning, as it is now; and the incorporation of its light (that is: the fire-light) in the moisture of the earth made the earth coloured. In fact, these elements that we perceive around us are not pure, but mixed with each other, and are named from the element that predominates.
[Hexaemeron 4.7.2: ed. Richard C. Dales and Servus Gieben (Oxford, 1982); translated by C.F.J. Martin as On the Six Days of Creation (Oxford, 1996)]
Flowing from the Through A Glass Darkly collaboration the exhibition also forms part of the City of Sunderland’s bid for UK City of Culture. It really is amazing to see the continued inspiration that Grosseteste’s thinking moves and shapes, and to see different levels of analysis, interpretation and explanation of these texts through glass.
We’ll be creating a Vlog to track the progress of the making – many thanks to Claire Todd – and to whet your appetites for the exhibition, in its various modes: meditative and explosive by turns.
An absolutely fantastic day in Cambridge on February 10th, with the launch of the e-luminate festival. Ordered Universe team members, Giles Gasper, Tom McLeish, Richard Bower, Hannah Smithson and Sebastian Falk presented the project, and interactive activities on medieval and modern science to the public at Great St Mary’s Church. With over 250 visitors to the displays we were very glad to support Ross Ashton and Karen Monid’s simply breathtaking projection show Spiritus: Light and Dark. This was a dazzling juxtaposition of medieval astronomical thought, modern cosmology, and a wonderful tribute to the scientific imaginations, of Grosseteste and his later successors, the contemplative beauty of music inspired by Hildgard of Bingen, and the artistry to bring all of these together in a bewitching sequence. If you are in Cambridge the show, and all of the others across the city (as well as other events around e-luminate) are on until the 15th Feb: it will be well worth the trip. Ordered Universe members were very grateful for the assistance too of Jinni Tang (Durham University) and Eleanor Puttock (Faraday Institute) in marshalling the exhibits and audiences, and to Rev. John Binns and the staff at Great St Mary’s. Astrolabes, the world of Robert Grosseteste, visualising the medieval cosmos, a modern oculus rift journey into dark matter, contemporary glasswork from the National Glass Centre, University of Sunderland, and optical experiments from the 13th century. We all thoroughly enjoyed ourselves!
Images from Giles Gasper, Ross Ashton and Karen Monid