Work continues apace for the October 2017 launch of the National Glass Centre exhibition by Cate and Colin based on research from the Ordered Universe and the scientific world of Robert Grosseteste. The official launch date is 20th October and the exhibition will run until March 2018. A visit with Giles Gasper, Alexandra Carr, photographer Rosie Reed Gold (whose photographs are used here), and OxNet Southmoor Academy co-ordinator Katarzyna Kosior, revealed the riches in store. Continue reading
The first in a short series of films by Claire Todd chronicling the development of the National Glass Centre exhibition drawing on Ordered Universe research and the scientific works of Robert Grosseteste. Here Colin Rennie talks about his rainbow sculpture.
We are very grateful to Durham’s Institute of Advanced Study for providing resource to enable the making of these films.
Another memorable day at the National Glass Centre. Giles, Brian and Alex Carr, together with David Lowther (Leverhulme Early Career Fellow at Durham, working on the history of zoology in the modern period, especially of collections and birds), went over to Sunderland to see the preparations for the Grosseteste-inspired exhibition opening in October. We also went to complete the filming for the documentary element of Through a Glass Darkly with Alan Fentiman. We had a fantastic time – Colin Rennie made one of his rainbow strands for us. As you’ll see from the clip below, this was quite extraordinary, culminating in molten glass being stretched and spun, changing colour as it cooled.
Colin Rennie making a rainbow national glass centre Sunderland https://t.co/wq07WMF8jV
— Giles Gasper (@GilesGasper) June 29, 2017
The final products of rainbow sculpture, some 20 or so, will be mounted in an steel frame, each strand moving seamlessly from one colour to another.
Cate Watkinson took us through her installations, with models of the larger pieces of glass in sequences. We experimented with torchlight and one of the circular moulds of blue glass, creating internal and external shadows, reflection and patterns at the edge of diaphanous media (as Grosseteste might have observed). Cate is working too on embedding Grosseteste’s treatise De colore (or parts of it) into glass, as well as the larger colour pieces and the movement from black to white.
The exhibition opens on 20th October – we’ll have more updates on progress and activities around the exhibition. For now, we can safely reveal that it will be amazing.