Over dinner on Thursday, Mike treated us to a reading a 14th century moralising poem, celebrating Grosseteste’s love of the harp, the virtues with which he associated it, and the symbolism to which it was ascribed. The poem appeared in the 1303 Handlyng Synne, by Robert Manning of Bourne/Robert de Brune. De Brune, was a Gilbertine Canon (the only native English monastic order of the medieval period) and spent most of his life in the Priory at Sempringham, 30 miles south of Lincoln. His Handlyng Synne was a translation into Middle English of the Anglo-Norman Manuel des Peches, written originally by William of Waddington. As Robert de Brune relates, and as Mike performed, the poem taken here from the marvellous Samuel Pegge’s (1704-1796) Life of Robert Grosseteste (1793) – the first major modern biographical study, Pegge himself a canon at Lincoln late in life:*
Grosseteste allegorised the harp in his commentary on Psalms (McEvoy, Grosseteste, p.100), using it powerfully to present his thought on how the Psalter should be interpreted. For Southern de Brune’s poem speaks to the cheerful and joyful nature of Grosseteste’s character, and the strength of that memory in the later Middle Ages.
* For the modern critical edition: Robert de Brunne, Handlying Synne, ed. F. J. Furnivall, Early English Text Society (1901), pp. 158-159, ll. 4739-74.
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